Friday, December 28, 2012

Next ATL Beat Battle!!!

NEXT BEAT BATTLE - January 27, 2012 LOCATION: MINGLES 182 COURTLAND STREET, ATLANTA, GA 30303. This is the first ATL Beat Battle of 2013. Tickets are $50 with a $2.24 processing fee for both producers and songwriters. So be sure to check this out. Click the link below to sign up.

http://www.atlantabeatbattle.com/

Wednesday, December 19, 2012

Send Beats to Curren$y!


Spitta Andretti once stated he checks his email every morning, so get to sending your tracks. 
But make sure to include any and all contact info. 
And if at all possible, send mp3s instead of a bunch of links. A zip folder will help. Good fortune to you...

legalcrackmodena@gmail.com

Monday, December 17, 2012

A.U. The Audio Unit


A.U. The Audio Unit logo in black, red, and white


(Tha Audio Unit, AKA, A.U.) in Columbus, Ohio on March 1, 1986. This super-producer knew early on in life what he wanted to do, “Music is my Life”. His production has helped create sounds out of this world “Welcome to wonderland” is what my music is taking you too, another level.

This 26 year old producer/DJ/engineer & A&R has been doing production for 14 years and is still learning. Au has produced for all the hottest talents from local & major acts. Au is also the C.E.O. of Audio Unit Music Group.

Au has produced, mixed and mastered for many up and coming acts including;.L.E - Polo On My Body,vol. 1 & 2, Scrape’s, Play My Shit, hosted by DJ Envy, and his smash single, I Got It, Philly P, The Substance & Phil Of The Future, Hodgie Street, Now or Never, and . The major acts he produced are; Jeremih,Cheri Dennis,MGK,Fabolous,Stalley,Ray Cash,Freeway,Curren$y,Willie The Kid to name a few. Also Been Nominated For Producer Of The Year 3 Years In A Row
                                                                         Au’s style has defined the new wave of music in Hip Hop, R&B, Rock, Crunk and Pop. All these styles are rolled up into one worldwide producer. Wonderland is the music, because with my music it makes you get away, like a different world. You can do anything you put your mind to if you stay disciplined and persistent and believe in what you do.


I Use FL Studios (Software)
The Audio Unit by CodaontheTrack on Grooveshark

Monday, December 10, 2012

ISRC CODES VS. BAR CODES

In addition to the music on your CD or digital file, there is certain information that travels with your music to identify your song, and provide a way to keep track of how many copies of your track or album have sold. This information is known as metadata. One of the most important pieces of metadata is your ISRC code. An ISRC (International Standard Recording Code) is a unique 12-character alphanumeric “digital fingerprint” that stays with an individual recorded track forever, regardless of any changes in ownership of the track.
   
ISRCs are added to the recording during the mastering stage, or at the encoding stage by whichever digital aggregator/distributor you are using to deliver your recorded content to the retailer. ISRC codes are used to trace sales of single tracks through digital distribution outlets like iTunes, as well as help to trace the owner of a recording who is owed royalties when their recording is used by Internet and satellite radio. A UPC (Universal Product Code or Barcode) represents the entire digital product, as opposed to just an individual digital track. UPC codes are also found on the back of the sound recording’s physical packaging, and are used by both brick-and-mortar retailers and online outlets to gather and track sales information for the entire product. 
   
Soundscan compiles UPC sales data from thousands of physical and digital retail outlets in the U.S. and Canada (as well as sales from artists on tour) to compile its weekly list of music sales. These reports are an important ingredient in the weekly Billboard charts, and also factor into many A&R departments’ decisions to sign an artist or not. ISRC registrant codes are allocated by national ISRC agencies to both corporations and individuals. Distribution companies and companies like SoundExchange use this data to monitor plays and streams of registered content.
   
The usual practice is to do this free of charge, but national agencies may make a reasonable charge to cover their costs. You are able to obtain an ISRC registrant code from the RIAA which allows you to use up to 100,000 codes per year. There is currently a $80 one time fee per applicant (and polices to follow) but you a can also become an ISRC manager if you meet certain criteria and adhere to their operations policies. One thing to keep in mind is you will also need software to encode the ISRC codes into the tracks before sending off to get mastered. But keep in mind that your Red Book mastering will include the embedding of ISRC codes if its being press to a cd but the digital technology has allowed for that process to happen even after you have recorded and mixed down and mastered your track. Though most services like Disc Makers includes the ISRC code in your tracks during the mastering process at no extra charge and their are ISRC managers who will sell you codes for as low as $2 a code.

If you are serious about your craft and you want to make sure you are properly represented, ISRCs should be at the top of you list of things to take care of before releasing your music.

Wednesday, December 5, 2012

What is iStandard?




iStandard has been an influential organization in the Music Production industry since 2005, helping bridge the gap between the up-and-coming producer and the music industry. TheiStandard Producer Showcase is the premier live event for producers to spotlight their music live in over 20 markets, and iStandardProducers.com has gained the attention of the industry’s elite, as well millions of viewers from over 100 countries around the world.

We are committed to providing the most up to date, direct to contact, prominent Music Industry TGPlacement Opps, keeping our community informed of breaking news in the production world, interviewing today’s key players & taste makers, and educating those who aspire to succeed within this ever-changing business.

This all happens in a city near you, and of course, right here on iStandardProducers.com

So… Producers, Artists, & Music Lovers alike; enjoy your journey through the iStandardProducers.com Experience – “Your Favorite Producer’s Favorite Producer Site!”


(credit: http://istandardproducers.com/what-is-istandard/)

Monday, November 26, 2012

1GB of Sounds and Free Plugins!!

Need a new reverb? what about a powerful but sleek compressor? Well be sure to head over to pluginboutique.com and download those and many more "Free" plugins.. Tell Them Beatsbangblog sent ya. http://www.pluginboutique.com/free

Monday, November 19, 2012

11 days left!!! Coast 2 Coast Mixtape Submissison




NOW ACCEPTING SUBMISSIONS FOR: COAST 2 COAST INSTRUMENTALS VOL. 48 - HOSTED BY CHRIS N TEEB SUBMISSION DEADLINE: 11/30/2012 Have the following information ready

CREATE YOUR ACCOUNT Through Facebook OR Twitter CONTACT NAME: ARTIST EMAIL: CONTACT PHONE: SELECT TRACK: (MP3, MP4, M4A FORMATS ONLY) ARTIST NAME: (AS APPEARS ON WEBSITE) TRACK NAME: (AS APPEARS ON WEBSITE) and of course they ask you to agree to the Rules and Conditions for Coast 2 Coast Submissions. Be sure to hurry you only have 11 days to participate!! Good Fortune coast2coastmixtapes.com

Tuesday, November 6, 2012

(PRODUCER) CHRISTOPHER "CEEGE" JENKINS

Christopher Jenkins, is an American hip hop record producer. He first rose to fame after showcasing his skills of making live beats and instrumentals on a MV8000 drum machine. Born in Monticello Arkansas in 1991, but moved to Biloxi Mississippi in the year 2001 and has been back and forth from each place since then. Being known to use MV8000, he has the ability to produce rapid, rhythmic drum patterns as well as making melodies using various samples and other sounds all at once.

He has worked with indie artist from every coast and one from Canada. Born the one of two in a talented household, Chris's father's dad was a one-time regional recording artist. He first learned to play to produce his own music by the age of 14. Citing his influences as producers including Pharrell, Swizz Beatz, Kanye West, Just Blaze and Drumma Boy, he first began making beats using trial Fruity Loops programs, before moving to the MV8000 drum machine, keyboards, and Logic.

 After meeting with artist management and A&R of Mpeckable Entertainment Group, Aaron Draper in 2011, he was able to become affiliated with the Mpeckable Group. He began producing tracks for countless impact artist Chris's production style is very unique. He samples different types of music compared to many hip-hop producers who rely mainly on soul and jazz sampling, with Chris using parts from every genre in music. He usually uses just Logic Pro audio workstation to create his beats but is also known to use live sounds. http://www.tailoredbychristopher.com/-- All songs and instrumentals below are produced by me (Christopher "Ceege" Jenkins) with the exception of the last instrumental where (Dariaus "D Money" Ruth) co - produced with me on "Woah" Instrumental. Uniquely Diverse Music Group (UDMG) Beats Tailored By Christopher Jenkins
email: ceege.udmg@gmail.com website: tailoredbychristopher.com (Under Reconstruction) tumblr: www.tailoredbychristopher.tumblr.com instagram: TailoredByChris twitter: @TailoredByChris music twitter page: @uniquelydiverse facebook: www.facebook.com/tailoredbychris facebook music page: www.facebook.com/uniquelydiverse soundcloud: www.soundcloud.com/tailoredbychristopher hulkshare: www.hulkshare.com/uniquelydiverse

PRODUCER TOOLKIT Plugins and equipment used... Logic Pro 9, Absynth 5, Faw Circle, FM 8, Kontact, Camel Audio Alchemy, Omnisphere, Sylenth, Guitar Rig 5, Massive, Izotope Stutter Edit, Waves Audio Plugins, iMac 27in., Roland phantom x6 keyboard, Roland MV - 8000, M Audio Keystation, & etc.

Tuesday, October 16, 2012

ARTIST LOOKING FOR BEATS!!!

*Former DPT Recording artist Shawnna @shawnnamusic Beats: beats4shawnna@gmail.com
*#SODMG Recording artist @JohnBoy Bookingjohnboy@gmail.com
*Chief keef chiefkeefsosa@gmail.com & uncleroproductions@gmail.com
*Kid Ink feedinkbeats@gmail.com
*Send your hottest beats to Stalley (newest member of Maybach Music) by emailing: Milqbeats@gmail.com
*Wiz Khalifa jetsxtaylor@gmail.com

Tuesday, October 9, 2012

Submit Beats to XXL

XXLMag.com is looking for budding producers and beatsmiths to supply music for our online video segments, including daily content and special projects. If you’d like to submit your music, please send MP3 or AIFF files that are four-minute loops to XXLMagbeats2@gmail.com. Each track must be sample-free and properly tagged XXLBeats_Title. XXL is looking for a variety of musical styles for pieces ranging from behind-the-scenes footage to video interviews to produced packages. Each producer will be required to complete a waiver form that allows XXL, XXLMag.com and Harris Publications to use your work. All selected work will be compensated via proper credit by way of a lower third acknowledgement in any video the material is used in. In addition, select producers will have the opportunity to be assigned specific projects based on need.

Friday, October 5, 2012

Diamond Eyez

Diamond Eyez Presents by CodaontheTrack on Grooveshark Today I'm presenting you producer/beatmaker, Diamond Eyez.. Born in Germany to a military family but it was not until he arrived in the states did he start producing. After just a couple of producing years under his belt DE has been able to work with some very popular artists as in BabySlimm, Stress Da Realest Sensation, Juan Rega Espinoza, Eddie Kane, Dat Dozier, Shorty B, Phenom and B Nasty. He is currently working on The Diamond Eyez Presents Compilation cd and documentary and also is venturing into the fashion design world with his very own Diamond Eyez Girl clothing line all dropping 2013. Style: various, hip-hop, soul, down-south, dance Toolbox: FLstudio and various samples and plug-ins

Wednesday, September 26, 2012

Beat Submission 4 Days Left!!!



COAST 2 COAST INSTRUMENTALS VOL. 47 - HOSTED BY SLIMM GEMM

Producers: Submit your beats for a chance to be featured on the Coast 2 Coast Instrumental Mixtape Series, the most downloaded instrumental mixtapes in the world! Every instrumental mixtape is promoted on all websites as a regular Coast 2 Coast and also sent to our exclusive list of 60,000 indie artists looking for new beats and over 1.5 million industry contacts including labels, DJs, A&Rs and more!

always check back to the site because they have projects happening monthly.
www.coast2coastmixtapes.com

Sunday, September 23, 2012

Synchronization license

    Synchronization license is just that, a license you issue someone (producers, record label) enabling them to "synch" your audio to a video, music video, television, commercial etc. In most cases a record company owns the master to the song so they receive all monies created from the license and the artist is paid royalties based on whatever agreement he/she has with the record company beforehand.

If you used your audio in a video, commercial or even on a 800 number line, you must have licensed that to the producers of the visuals that are being synched to your audio. In some cases a certain audio recording of a composition is used and requires you to obtain a "master-use" license from the masters owner. Royalties are usually the same as album sales royalties but all that should be outlined clearly in your agreement/contract.

It is wise as a videographer, photographer and even the editors of the content to be sure they have written permission or an official synch license before working with the audio to ensure not to be involved in a legal dispute. A license does not have to cost you anything, all parties just need to clearly state all aspects of the collaboration and have it signed and notarized. Basically if those steps are not taken, the owner of the visuals will in turn own the video and all content included within it(audio included).

Licensing your music is a great way to get exposure and turn a dormant catalog into a very profitable one. Instrumentals can be bought by various companies and businesses and many others in need of music and audio clips. So be sure to take the proper steps to secure your content through licensing.

Saturday, September 22, 2012

VST Cafe

What's up yall? Just here bringing you a littile bit about VST Cafe.Be sure to stop by and check this cool site out. The site is focused on revealing FREE and useful stuff for producers, djs or anyone making music. They have an array of info and tutorials on styles and techniques, equipment and programs. Also they have videos, music and more..You'll be sure to find something for your liking in the cafe.
vstcafe.com

Download Free DSK Plug-ins

OVER 40 FREE VST'S FOR DOWNLOAD
(I have personally downloaded several and they download fast and do not contain any viruses or issues)
    
DSK Music plug-ins by Vƭctor MƔrquez are created with SynthEdit and SynthMaker and released as freeware for Windows PC.
 rekkerd.org
   BEFORE YOU DOWNLOAD, PLEASE NOTE!
  1. You will need software that can host these VST plug-ins. Read more about VST here.
  2. If you’re experiencing problems with corrupt downloads, please try downloading without a download manager and check that the downloaded file is the same size as noted on this page (some files are quite big so make sure to complete the download).
  3. The DrumZ Series plug-ins are also available as single stereo output versions for hosts where routing the multiple outputs doesn’t work well. Download page here.
  4. Some plug-ins (i.e. Brass, Strings) don’t work too well when using multiple instances in your project. If you experience problems with rendering you could try to export the plug-in output separately.
Since hosting these plug-ins takes a lot of bandwidth, donations are much appreciated.

**Description and instruction and donation info Directly taken from site**